In an age dominated by screens and pixelated image, Jake Wood-Evans’ work feels like a welcome antidote. Drawing on the legacies of Old Masters, his intention is to capture the essence of these historic works without replicating them, depicting familiar, yet obscured subject matter.
Wood-Evans is a devotee of eighteenth century art - as such, his works have been significantly influenced by the great masters of the golden age of British painting including Sir Joshua Reynolds and Sir Henry Raeburn. His most recent exhibition Transitions sees a shift of focus from portraiture towards landscape and abstraction.
Taking influence from the work of John Constable, J.M.W. Turner, Sir Edwin Henry Landseer, and George Stubbs among others, Wood-Evans’s paintings retain recognisable elements that allude to the conventions of art history. Drawing on these masters’ legacies, his intention is to capture the essence of these historic works without replicating them, depicting familiar yet obscured subject matter, creating an uncanny effect. Through first creating, then scrubbing away, reworking and removing sections of a scene, the artist reveals ghostly infrastructures that preserve the warmth and glow of the original painting. In such he encourages us to look again, beyond the surface of the traditional image and see anew.
Describing his work as "a process of conflict with the ambiguous space between representation and abstraction", Wood-Evans resists the urge to provide easy readings or instantly accessible compositions. He invites the viewer to pause and quietly contemplate a series of multi-layered paintings that denote a common visual language built through our shared history and consumption of art imagery.
Wood-Evans currently lives and works in Hastings. As well as exhibitions at international art fairs and private collections around the world, his work has been shown at galleries in London and across the UK. Most recently, after well-received 2016 and 2017 solo exhibitions: Subjection & Discipline and Transitions with Unit London, Wood-Evans was debuted as a feature artist in his first ever museum exhibition, REPORTRAIT at the Nottingham Castle Museum.