Johan Van Mullem
Johan Van Mullem has gained recognition for his unique approach to painting the human figure. The artist paints images with the ambition of revealing our human capacity for adaptation, and the qualities of human nature in their purest form.
Drawing from his subconscious mind and stored somatic information, Van Mullem attempts to reconstruct the soul and essence of man. Although his works are not strictly self-portraits, they do reflect his purest desires, thoughts, and feelings. His 2016 show at Unit London, De Anima, literally means ‘on the soul’, conveying ‘the idea developed by Aristotle that the soul is the form or essence of any living thing, and not a distinct entity separate from the body’. He works with oil based inks on wooden boards and canvases to render luminous figures whose features are enriched by dark earth-toned backgrounds.
Whilst influenced by the haunting portraits of Francis Bacon, Francisco Goya, and Johannes Vermeer, Van Mullem does not look to the art historical canon for guidance. He states that his own methodology and sphere of influence is primarily dependant on his own emotional experiences.
Growing up in the Congo, the influence of the African mask has infiltrated Van Mullem’s work. The idea of masks as totemic protection or disguise is hinted at in his expressionistic, obscured portraits that eschew detail and point to the dynamism of the spirit beyond. Van Mullem says, ‘The faces are just a symbol needed to express and possibly reflect the viewer's own soul. The soul itself is a deeply buried treasure. It is something we all have, but that we rarely visit.’
Van Mullem’s work can be found in public and private collections internationally, including collections in Brussels, London, Dubai, Abu Dhabi, Los Angeles and at the Musee d’Ixelles in Belgium. He has most recently exhibited at Museum at Ciurlionis National Museum in Lithuania and Musée d’Art Classique Mougins in France.